The Reposition Matrix

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The Reposition Matrix is an investigation into the military-industrial production and trading networks of Unmanned Aerial Vehicles (also commonly referred to as Drones). The workshop aims to reterritorialise the drone as a physical, industrially-produced technology of war, and consequently explore how this affects our understanding of the covert drone campaigns in the Middle East continue

#A.I.L – artists in laboratories, episode 29: Furtherfield

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Today i’m talking with artists, curators, writers Ruth Catlow and Marc Garrett. 16 years ago they founded Furtherfield, an organization with a very strong online and offline presence. Furtherfield.org is an online community where artists, theorists and activists meet and talk about art, technology and society but Furtherfield is also an art organization with a gallery located in Finsbury Park that invites the public to discover and reflect upon digital/networked media art and social changes continue

Cultural Hijack

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Cultural Hijack explores the role of art and the artist in contemporary society and offers the opportunity to rethink the growing field of intervention in relation to cultural activism and social change continue

#A.I.L – artists in laboratories, episode 28 (the London Hackspace)

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Designers and biohackers Raphael Kim and Funk are in the studio with us today to talk about the London Hackspace, the largest hackerspace in the UK. Being part of this community obviously involves much coding but also laser cutting, soldering, drilling, woodworking, sewing, 3d printing, learning, tinkering, repairing and pizza eating. The space even welcomes a small bio-hacking lab continue

Art & the Oil giant, an interview with Liberate Tate

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Today is the last day to witness the week-long performance from Liberate Tate at the Tate Modern gallery. Filming devices strapped on to their bodies, performers are reading aloud sections of the transcripts of the trial which started in February in New Orleans and sees BP stand accused of gross negligence over the Deepwater Horizon disaster, the largest accidental marine oil spill in the history of the petroleum industry continue

Marcel Dzama’s Puppets, Pawns, and Prophets

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I’ve managed to keep it under control so far but i’ve got quite an obsession with the work of Marcel Dzama. The world he creates mixes childhood nostalgia, violence, sex and history (without necessarily knocking you down with historical references) in the most sinister and seducing way.

Luckily for Londoners, the David Zwirner gallery has just opened a show about Dzama’s latest work: Puppets, Pawns, and Prophets. The main protagonists are helpfully listed in the title continue

Art13 – Photography

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From Last Meals on Death Row in Texas to suitcase droppings in Tokyo continue

The Silence of Dogs in Cars

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“I did start it as a reportage project but after I found myself walking around supermarket carparks making barking noises to try and awaken sleeping dogs that were not actually there, I set up the shots. But I now realise that is the right thing. It’s very important that it’s lit and looks cinematic, dreamlike almost” continue

Art13 London, the art fair that took us by surprise

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Art13 London, which took place a few weekends ago inside the stunning Olympia Grand Hall, demonstrated, if need be, that not all art fairs are created equal and that you can bring something different if you have enough taste and a clear vision continue

The 2013 Kinetica Art Fair

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Year after year, i go to Kinetica with enthusiasm. I might find it a challenge to spot the real gems in a sea of (sometimes) artistically questionable works but that’s part of the fun. Kinetica might not be the Mecca for art & science that some bloggers and journalists describe (too many holograms!) but it’s certainly a good place to discover kinetic, electronic, and robotic art. It also has a friendly, open atmosphere that makes it surprisingly easy to have a chat with artists, art dealers and other exhibitors continue

2013 Sony World Photography Awards: Afrometals, crimes and Cossak’s bootcamps

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As usual in this kind of international photo competition, there’s a couple of winning shots about Palestine, some portraits of magnificently coiffed people, plenty of violent deaths, prisoners living in dire conditions and almost half of these talented photographers are Italian. I’m very impressed by the Afrometals series, btw continue

Ruins in Reverse

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Star Wars movie sets silently decaying in the deserts of Tunisia, eccentric monuments on Peru’s public squares, decline of Lima’s (analogical) record industry, fragments of technological obsolescence, etc. Six artists show work that consider the -sometimes fictitious- relationship between historical monuments and urban ruins continue

Carsten Nicolai – Observatory

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Very few artists manage to translate scientific phenomena into stunning images as elegantly as Carsten Nicolai. If you’re in London, don’t you dare miss Observatory at Ibid Projects.

The works on show visualise diverse physical occurrences. From the ground floor to the top floor, the installations, videos and photographic pieces investigate phenomena that get further and further away from our daily experience continue

#A.I.L – artists in laboratories, episode 22: Asa and Rachael from MadLab

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My guests at Resonance today are creative technologists Asa Calow and Rachael Turner, Hello Rachael and Asa!

Asa and Rachael are the founders of the MadLab. Madlab is the short name for Manchester Digital Laboratory, a remarkably active community space for science, technology and art located in Manchester Northern Quarters. Luckily for me, Rachael and Asa are currently in London, where they are heading a series of workshops and events as part of their residency at The Arts Catalyst continue

This week in London: city boys in skirts and explosive vase

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KK Outlet is now showing Franck Allais’ comical Subverting The City, a series of street photos featuring city boys dressed in their usual grey suit attire from the waist up but in skirts and heels from the waist down.

And i was going to leave you with this when i realized i might as well add a quick sequences of of images illustrating exhibitions i’ve seen around town recently continue

Performing Architecture at Tate Britain

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‘What does performance have to do with architecture?’ and ‘How can a building perform, and how can we perform a building?’ Call me an ignorant but i had never heard about Performing Architecture so i’m gathering here a few notes i wrote down during the Late at Tate night continue

Disco, drama and physics at the Light Show

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From atmospheric installations to intangible sculptures that you can move around – and even through – visitors can experience light in all of its spatial and sensory forms. Individual artworks explore different aspects of light such as colour, duration, intensity and projection, as well as perceptual phenomena. They also use light to address architecture, science and film, and do so using a variety of lighting technologies continue

#A.I.L – artists in laboratories, episode 20: Jeremy Hutchison

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This week we’ll be talking factory lines, outsourced production and the contemporary art system with artist Jeremy Hutchison. Last year, Jeremy was all over the blogs (including mine), newspapers and art exhibitions for his Err project.

The artist sent emails to manufacturers around the world, asking them to produce a fairly common item, a pair of shoes, a comb, a football, a spade or chair. However, he added a special requirement: the product had to be intentionally imperfect continue

The Magic Hour

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This morning i went to the press view of the exhibition i was most looking forward to this month: Light Show at the Hayward Gallery. The exhibition explores the experiential and phenomenal aspects of light by bringing together sculptures and installations that use light to sculpt and shape space in different ways. It’s not just an exhibition of bulbs and luminosity, it’s about colour, volumes, spatial perception, natural phenomena recreated using technology, kinetic and even politics continue

Kung fu LED weapon, plutocrats and pickled moles

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This week, i’m trying something new. Cramming into a quick post the exhibitions i’ve seen over these past few days in London. Only the ones worth a mention, though. Contains alchemists, Yuri Suzuki’s The Sound of the Earth and cloud suspended inside galleries continue