SS+K Enlists ‘Serious Baby’ for Smile Train

SS+K launched a new campaign targeting millenials for international children’s charity Smile Train, entitled “Serious Baby.”

Inspired by baby memes, the campaign tells the story of Walter, a nine-month old who goes on a smile strike. “There’s kids who have trouble smiling because of their unrepaired clefts,” he explains in an online spot (through a gruff, serious voiceover, “If they’re not smiling, I’m not smiling.” He encourages viewers to donate if they want to see him smile.

It’s a big change in approach for SS+K and Smile Train, whose last spot for the charity, “Dreaming of Midnight,” featured an interactive story allowing viewers to change the fate of a young girl by donating. The baby’s demeanor aside, it’s a far less serious approach than what viewers typically associate with Smile Train, as many remember when its ads featured shot after shot of children suffering from cleft palate to garner viewers’ sympathy and encourage donations. SS+K began changing things up by focusing instead on a single child, as in its previous spot and last April’s “Power of a Smile.” This is a far more drastic departure, however, as the spot attempts a more light-hearted approach without making light of an important cause. The video, along with various memes featuring Walter are hosted on Smile Train’s  Tumblr microsite for the campaign.

“We wanted to take a bit of a risk and try something different,” Shari Mason, senior director of integrated marketing at Smile Train, told Digiday. “We realized that if we are able to put a humorous spin on a serious issue like this, it will have a bigger impact rather than shouting facts and figures and attract a younger audience, including millennials. Millennials like to support causes where they can see the impact they’re making.”

“We’re trying to build their audience base and reach out to a younger demographic,” added Armando Flores, creative director at SS+K. “They have their core audience, but what we’re really moving toward is figuring out interesting ways to get more people to make micro donations instead of just big charity amounts.”

SS+K, Tommy John Take on Underwear Double Standard

SS+K is behind a new campaign for “high-end” boxer brief company Tommy John (which has been called “weird” more than once by those who made us aware of it) that, as mentioned, takes on a double standard in underwear.

The 53-second spot opens with a beautiful model slowly undressing, a sure way to get men’s attention. Eventually she reveals a stained, raggedy pair of underwear. “If I can’t get away with this underwear, why do men think they can get away with theirs?” she asks, attacking the double standard that women have to wear sexy lingerie at all times while men can get away with undergarments that have been through the wash 2,000 times and are falling apart. The message is reinforced by the tagline “Don’t like what you see? Women have felt that way for years.”

Of course, the truly feminist message would be to suggest that women should feel free to wear whatever is comfortable. But SS+K is selling underwear here — high quality men’s underwear — so instead they put pressure on dudes to step up their game and expend the same effort (and spend the same amount of money on) selecting their undies as ladies do. It’s a smart way to get the fellas to reconsider their “underwear is just underwear” attitude and perhaps shill out the extra money for Tommy John so their ladies will be impressed. Unfortunately, this campaign also includes a website inviting guys to Instagram their old, ratty undies. And that’s just gross. Credits after the jump. continued…

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Good Lord, Sallie Mae (Or Something Like It) Can Be a Beast

Let’s face it, student loans are a bitch (and we’re honestly still paying them off 12 years after graduating). So how else to present the horrific than a horror short film courtesy of SS+K, which is promoting nonprofit program SALT via the clip called The Red above. If you want to watch the extended cut (no word if a Blu-Ray/Netflix stream is on the way), go here, but in the meantime, here’s half of it from Antonio Campos, Sean Durkin and Josh Mond, who were Sundance darlings thanks to their feature film, Martha Marcy May Marlene. We’re not sure if this will be received just as well, but yeah, creeping plumes of red mixed with a dash of The Eye, maybe a splash of Paranormal Activity and other modern flicks gives us decent visual representation of what being in financial purgatory feels like. Credits after the jump.

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