Don’t Even Try to Skip This Leo Burnett Allstate Ad

As we all know, The Martin Agency recently played off everyone’s favorite complaint about digital advertising by creating a series of GEICO ads that couldn’t be skipped…because they end before they even start.

It was a good idea that almost made up for the fact that cord-cutters like ourselves often see the same GEICO ad three times in a row with no recourse but to swear up and down that we will NEVER spend money on the client’s services even if we happen to be in desperate need of cheap car insurance. (We blame media buying agencies, because THEY ARE WASTING THE CLIENT’S MONEY.)

Now Leo Burnett and Allstate have produced a new variation on that “unskippable” theme: an ad that punishes the viewer for trying to make it go away.

The spot and its #SkipMayhem tag debuted about a week ago, but this is the first we’re seeing of it because we don’t happen to be friends with any Allstate salesmen on Facebook. It’s unfortunately not embeddable, so you have to click through to the site…not annoying at all!

skipmayhemThe underlying spot is a standard entry in the Mayhem canon, with Dean “Dennis Duffy” Winter playing the part of a buzzing phone that facilitates a wreck.

The fun starts when one tries to skip the ad…to be greeted instead with footage of a baby crying, a poorly played recorder, a man eating tin-foil and other forms of unjust punishment. Every time a viewer clicks “skip” he/she faces another variation on this multimedia version of the old water torture trick.

Eventually, the video devolves into grating metallic noise accompanied by this warning:

mayhem 3Meanwhile, Winter intones:

“You don’t have to watch this…just watch the ad.

I could do this all day.

You really don’t get it, do you? You can’t skip Mayhem.”

When asked for comment, Leo Burnett deferred to the client. We’ve yet to hear back from Allstate itself.

While we enjoyed this take on the “how annoying can an ad be?” theme, we wonder why insurance companies are the clients most in-tune to the annoyingly ubiquitous nature of their own campaigns. The model could very easily be applied to most bank ads, athletic wear ads, computer ads and, for God’s sake, automobile ads.

Maybe clients in those industries are simply more inclined to believe their own bullshit.

Leo Burnett Launches ‘Safe In My Hands’ for Allstate

Leo Burnett launched the animated spot “Safe In My Hands” as part of its “Out Holding Hands” campaign for Pride Month, which encourages the LGBT community to hold hands publicly.

The spot focuses on hands from the beginning, as a young man feels alienated by his one giant hand — which comes across as a sort of strange illustration of the alienation that young people with LGBT can face. He tries to hide the hand while out in public, until he meets someone who shares the same feature. As the two proudly hold hands, the animation fades into live action footage of a couple walking while holding hands, followed by the message “being visible should never leave you feeling vulnerable” and the tagline “Everyone deserves to be in good hands.” The ad is supported by digital and social elements, including one allowing visitors to virtually hold hands, while visitors to the campaign website can upload a picture of their outstretched hand to become part of a continuously growing hand-holding chain. “Out Holding Hands” also includes print and OOH elements, as well as the brand’s participation in Pride Month events in Los Angeles, San Francisco, Chicago, New Jersey and Minneapolis.

“This is an important time for the LGBT community and Allstate wants to be part of creating a future where everyone can feel safe to show love and affection in public without judgment,” Allstate vice president of marketing Georgina Flores told The Drum. “We want to showcase our dedication in a way that elicits empowerment and action.”

Allstate Has a Black Cat Who Will Predict the Loser of the World Cup Final

Sure, we could listen to pundits or statisticians to try to predict the outcome of the World Cup final on Sunday. They’ve got suits and numbers. But what they don’t have is a black cat.

Why listen to logic when there’s a feline (named Lucky, natch) who can—and will—tell you who will lose the World Cup. At least, that’s what Leo Burnett and Lapiz have cooked up for Allstate’s interactive World Cup campaign. Let’s not forget that Allstate is a fan of mayhem, and black cats, of course, are well-known harbingers of bad luck.

If you tweet the hashtag #EnviaMalaSuerte (translation: “Send bad luck”) with the name of the team you’d prefer to lose, some cat food will drop into that team’s bowl. On Sunday, before the game, during a live YouTube broadcast, Lucky will get to choose between the Argentina and Germany bowls. Whichever bowl Lucky chooses to nosh at—well, that team will not win the World Cup. Allegedly.

It’s a silly (and cute) campaign. Rooting for sports teams can bring out some odd behavior, so why not play with people’s fan rituals?



Allstate’s Mayhem Is Fiddling With Vine While Brackets Burn

Sports sponsorships rarely equate to more than some choice ad placement and logo saturation. But Allstate and its agency, Leo Burnett, are definitely making the most of the company's partnership with March Madness.

In a campaign called March Mayhem, the official NCAA tournament sponsor is trotting out its likably loathsome ad character to Twitter, Facebook and Vine, where he delights in the millions of brackets broken by unexpected wins like No. 10-seeded Stanford defeating No. 2 Kansas and 12th-seeded North Dakota State winning big over No. 5 Oklahoma.

Read more about the effort in our Q&A with Pam Hollander, Allstate's senior director of integrated marketing communications, and check out some of Mayhem's better Vine installments below.

Please note: Firefox seems to have trouble playing Vine embeds, so we recommend using Chrome, Safari or another browser.


    



Allstate: Marina Tower

Allstate: Marina Tower

Advertising Agency: Leo Burnett Chicago, USA
Creative Directors: Jeanie Caggiano, Mylene Pollock
Art Director: Greg Nobles
Copywriter: George Ellis
Chief Creative Officer: John Condon
Production Manager: Laurie Gustafson