
It’s been 11 years since TV rather begrudgingly adopted Nielsen’s commercial ratings currency, and despite all the noise being made about the inadequacies of the entrenched audience-measurement scheme, the industry’s Acme Problem persists.
If the term “Acme Problem” is unfamiliar, it’s because we just made it up. A nod to Wile E. Coyote’s inexplicable brand loyalty to the manufacturer of the shoddy rocket skates, anvils and catapults that were forever causing him grievous bodily harm, the metaphor seeks to contextualize the self-defeating behaviors that are forever blowing up in the face of the TV industry. Compromised metrics that offer about as much protection from ratings erosion as an umbrella provides in the face of a plummeting boulder, the C3 ratings currency and the slower-burning fuse of C7 have done almost nothing to offset the ad-obliterating ravages of the DVR.
Time-shifting and rampant commercial avoidance have wreaked havoc on the hoary ad-supported TV model, and while C3 and the enhanced C7 metric have helped a handful of already high-rated shows win back a good deal of impressions that would otherwise be lost to the predations of the DVR, the currency hasn’t had much of an impact on the business as a whole. And as ad-skipping continues to accelerate, what was originally designed as a stopgap measure is proving no more efficient than holding up a tiny sign that reads “Eep!” right before gravity sends the cartoon coyote careening to the canyon floor.
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