Lululemon's Sweatlife festival returns to London

Lululemon, the sports apparel brand, is hosting its Sweatlife festival once again this year.

McCann promotes Lopez to new Europe chief production officer role

McCann Worldgroup has promoted Sergio Lopez to the newly-created role of chief production officer of its European operation.

Lexus: Genetic Select

Lexus and 23andMe are introducing the long-awaited answer to perfect vehicle customization – Genetic Select. With a quick saliva sample analyzed by 23andMe, Genetic Select tailors the Lexus vehicle to exact specifications based on the customer’s DNA. This revolutionary new car-buying experience launches April 1.

Video of Genetic Select by Lexus

Icelandic Cancer Society: Male Cancer Awareness

Mottumars (Moustache–March) is a yearly cancer awareness campaign for the Icelandic Cancer Society, mainly focusing on cancers in men.

The 2018 campaign is about prostate cancer, which is the most common cancer amongst Icelandic men. The look and feel of the campaign draws inspiration from a predominantly male trope: the classic barber shop, a place frequented by men throughout the years.

In the television advertisement we see a man go about his daily routine. He is obviously troubled by something, and is most likely experiencing symptoms of prostate cancer. Mentally and physically exhausting symptoms of a life threatening illness are not easy to ignore. Especially not when they – literally – come to life in the shape of a cheery and colorful barber shop quartet that constantly follows you around describing the symptoms of prostate cancer — through song and dance, of course.

Produced by the advertising agency Brandenburg in collaboration with Republik Film Productions. Original song: “Mister Sandman” by Pat Ballard.

Video of Male Cancer Awareness

Securite Routiere: The Mistake

Joint, blunt, spliff, doobie, we all have different words to describe that thing we occasionally share, that we smoke to “relax”, to “giggle”, to “get high”. But sadly, on the road, it will most likely make us weep.

Driving under the influence of cannabis doubles the risk of causing a deadly accident, and narcotics are associated with 22% of all road fatalities. The causes: slower reaction times, impaired visual and hearing faculties, hallucinations and loss of automatic reflexes.

This says it all.

Getting behind the wheel after smoking a joint means gambling with one’s life. It also means taking the risk of shattering the lives of family and friends.
The film tells the story of a young man, victim of a car accident, who thought that driving after smoking cannabis was not dangerous…

This is the story told by Sécurité Routière (France’s Road Safety Authority) and its agency la chose in this new film directed by Bruno Aveillan (Quad). Here, someone who took the wheel after smoking a joint faces the dire consequences of his decision. Like too many smokers, he thought he knew what he was doing, that he was in control. He realizes his mistake too late, and by then the damage is done.

Video of The Mistake

SodaStream: SodaSoak

Video of SodaSoak by SodaStream

Part of Collection

Crossroads Community: The Stuffing

What’s the common denominator of people who struggle with hunger and homelessness and the chefs who work to end it? They all have their favorite food at Thanksgiving. As expressed in this film for Fare Share Friday, an event where everyone comes together to share a dinner in support of Crossroads Community.

Video of Crossroads Community: The Stuffing

John Legend and the ‘Jesus Christ Superstar’ Cast on Faith and Musicals

Mr. Legend, Sara Bareilles, Alice Cooper and Brandon Victor Dixon, the lead actors in NBC’s upcoming live performance of “Jesus Christ Superstar,” discuss the play, their faith and musical theater.

Identity is maintaining the conversation, not just winning the conversion


A new category has appeared in the LUMAscape, the marketing technology taxonomy defined by investment bank LUMA Partners. It’s called “identity,” and it’s much more than just branding or semantics: It’s a fundamental shift in the way marketers approach their customers the foundation for all brand engagements.

At its core, identity provides the contextual relevance necessary to relate to consumers on a personal and continual basis the underlying link between otherwise completely random events and interactions with a customer. In fact, if you take a moment to look at the big picture, identity is arguably bigger than all of ad tech and martech put together. Broadly defined, ad tech helps brands acquire new customers and prospects across paid media, while martech builds relationships with known customers through owned channels. Successful marketing needs both, and identity is where these two worlds converge.

In effect, the introduction of LUMA’s new identity category heralds the culmination of a revolution that began when Facebook enabled brands to take the art and science of high-performing one-to-one marketing and unleash it at massive scale. Brands then sought to extend that same known-user marketing outside of the social network’s closed walls and into even more channels.

Continue reading at AdAge.com

Messenger Is Facebook’s Real Value to Brands

Customer expectations matured in 2017; no longer was social customer service just about response times and a friendly tone of voice. 2017 saw “effortless service” set the tone for what consumers deemed as acceptable, expecting convenience, in-channel resolution and agent expertise. Brands looked to adapt–some successfully others not so successfully–to make “effortless service” part of…

Aaron Judge goes yard in ESPN's first post-Wieden 'SportsCenter' campaign, made in-house


In the first “This Is SportsCenter” ad to be produced since ESPN parted ways with longstanding creative agency Wieden & Kennedy, the network swings for the fences with a little help from Yankees slugger Aaron Judge.

Produced by the in-house unit ESPN CreativeWorks, the 30-second “Home Run Trot” spot features Judge as he indulges in a rather singular form of extremely low-impact cardio. In keeping with the traditional “This Is SportsCenter” format, the 2017 American League Rookie of the Year shot the new promo in ESPN’s Bristol, Conn., headquarters, where he shared the frame with Scott Van Pelt, the host of the late-night edition of “SportsCenter,” and daytime anchor Elle Duncan.

The new spot debuted during the Wednesday night/Thursday morning midnight “SportsCenter” telecast, which followed the network’s coverage of a Celtics-Jazz matchup. Van Pelt’s show is a respectable platform from which to launch the Aaron Judge promo; per Nielsen, episodes that have lead out of March basketball are delivering an average audience of 878,750 viewers and a 0.5 rating in the adults 18-to-49 demo.

Continue reading at AdAge.com

Identity is maintaining the conversation, not just winning the conversion


A new category has appeared in the LUMAscape, the marketing technology taxonomy defined by investment bank LUMA Partners. It’s called “identity,” and it’s much more than just branding or semantics: It’s a fundamental shift in the way marketers approach their customers the foundation for all brand engagements.

At its core, identity provides the contextual relevance necessary to relate to consumers on a personal and continual basis the underlying link between otherwise completely random events and interactions with a customer. In fact, if you take a moment to look at the big picture, identity is arguably bigger than all of ad tech and martech put together. Broadly defined, ad tech helps brands acquire new customers and prospects across paid media, while martech builds relationships with known customers through owned channels. Successful marketing needs both, and identity is where these two worlds converge.

In effect, the introduction of LUMA’s new identity category heralds the culmination of a revolution that began when Facebook enabled brands to take the art and science of high-performing one-to-one marketing and unleash it at massive scale. Brands then sought to extend that same known-user marketing outside of the social network’s closed walls and into even more channels.

Continue reading at AdAge.com

Snap cuts about 100 employees from advertising side


Snap Inc. is cutting another set of employees, focusing this time on the advertising side of the business after earlier trimming staff in engineering and content.

The cuts total around 100 workers, according to people familiar with the matter, and represent the final step in a restructuring process set in motion in the fourth quarter. The people didn’t want to be identified discussing internal details.

“Late last year we asked senior leaders across Snap to look closely at their teams to ensure they had the right resources and organizations to support their missions,” Imran Khan, Snap’s chief strategy officer, said in a statement. “Tighter integration and closer collaboration between our teams is a critical component of sustainably growing our business.”

Continue reading at AdAge.com

Sky reunites comic duo Baddiel and Skinner for Pension Wise

David Baddiel and Frank Skinner are briefly excited by the idea of working together again in a new ad for the Government’s pensions guidance service.

Kit Kat: Billboard That Switches Itself Off

Outdoor
Kit Kat

J. Walter Thompson London created a billboard that switched itself off in an activation for KIT KAT aiming to persuade the public to have a break from Electricity. On Saturday March 24, at 8.30pm, millions of people around the world joined together to switch off their electricity for 60 minutes.

To drive awareness of the cause J. Walter Thompson London customized a digital billboard, which comprised of a simple circuit with a KIT KAT finger as the switch. When the clock hit 8.30pm and the world turned off their lights, the KIT KAT finger in the special build unit snapped, breaking the circuit and turning off the electricity of the poster.

It was timed perfectly to turn off at the same time as the lights on Tower Bridge, giving the illusion that it switched off the bridge’s power in order to reinforce the significance of the message.

#Switchoff For Planet Earth

Have a break, have a Kit Kat

Advertising Agency:JWT, London, United Kingdom

Ticket To The Moon: Beach Moon, Canyon Moon, Desert Moon, Savannah Moon

Print
Ticket To The Moon

“Inspired by the hammocker’s habit which always seeking for the best spot, relaxing by using only two hanging mediums, such as trees or cliffs, this Print Advertorial execution using nature objects with an optical illusion approach to represent comfort and calmness while they enjoying the sights on their adventure.”

Adventure Hammock since 1996

Advertising Agency:LOTUS:H, Jakarta, Indonesia
Chief Creative Officer:Hoh Woon Siew
Executive Creative Director:Dino Mojica
Copywriter:Dino Mojica, Prasetya Adhinugraha
Creative Director:Ramdhan Hidayat
Art Director:Ramdhan Hidayat
Art Directors:Dimas Arfiyanto, Suteddi Chen
Account team:Ira Saphira, Rizky Yuliansyah, Khairani Bianda
Strategic Planning Manager:Wimala Djafar
Creative Support:Suryo Guritno, Rini Susanti, Iman Budiman
Production House:Locana Imaging
Retoucher:Vinsensius Seno

Acre Designs: The Pioneer


Film
Acre Designs

This is a 2 minute brand film that encapsulates their design philosophy. It goes into the imagination of Ella, a 6 year old who shares her fantastic thoughts on sustainable design, including pinwheel wind turbines, rock monsters and more.

Creative Director:Freise Brothers
Art Director:Freise Brothers
Copywriter:Freise Brothers
Photographer:Freise Brothers
Director:Freise Brothers
Vfx:Freise Brothers
Edit:Freise Brothers

Transavia.com: #VeryBadPic


Film
Transavia.Com

Transavia dares make a commercial with nothing but messed up photographs instead of good ones.

Advertising Agency:HUMANSEVEN, Paris, France
Chief Creative Officer:Xavier Beauregard
Creative Director:Stephane Gaubert
Artistic Director:Jordan Molina
Copywriter:Ludovic Miege
Tv Producer:Sarah Bouadjera
Production:ALLSO
Director:Julian Nodolwsky
Producer:Franck Annese
Production Manager:Louise Morand

Transavia.com: #VeryBadPic – City, #VeryBadPic – Mountain, #VeryBadPic – Beach

Print
Transavia.Com

Transavia dares make a commercial with nothing but messed up photographs instead of good ones.

Advertising Agency:HUMANSEVEN, Paris, France
Chief Creative Officer:Xavier Beauregard
Creative Director:Stephane Gaubert
Artistic Director:Jordan Molina
Copywriter:Ludovic Miege
Tv Producer:Sarah Bouadjera
Production:ALLSO
Director:Julian Nodolwsky
Producer:Franck Annese
Production Manager:Louise Morand

University of Adelaide: Life Moves Fast


Film
University of Adelaide

New industries are rising. Global challenges are being solved. Incredible job opportunities are emerging. Start at the University of Adelaide this July to be best equipped for your future career.

Creative Director:Nick Brz
Art Director:Nick Brz
Copywriter:Greg Knagge
Photographer:Alex Robertson
Additional Credits:Judi Oehme, Aaron Gully, Leona Cichon