Already a Favorite of Teens, Snapchat Is Gaining Popularity With Their Parents


Teenagers love donning digitized puppy ears, flower crowns, and funky sunglasses. So do their parents.

Snapchat, the photo-sharing mobile app known for these filters, is gaining older users.

Market research firm eMarketer projects that 70.4 million Americans will use Snapchat in 2017, up from its June prediction of 66.6 million users, in a report on the app’s U.S. user base released on Tuesday. The largest user base is aged from 18 to 24, but eMarketer estimates that 6.4% of users will be from 45 to 54 years old, over 2 percentage points more than previously projected. The research firm defined users as those who check the app at least once a month.

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Colle+McVoy Welcomes Carmichael Lynch Vet Puja Shah as Creative Director

Minneapolis agency Colle+McVoy hired Puja Shah as creative director on the global Invisalign account.

“Puja’s got the goods as a creative, a leader and a person. It’s an exciting time here right now, and we can’t wait to add her formidable talents to the mix,” executive creative director Laura Fegley, who joined Colle+McVoy from BBH New York last July, said in a statement. 

Shah joins the agency from Carmichael Lynch, where she has served as an associate creative director since January of 2015. Before joining Carmichael Lynch she served as a senior art director with fellow Minneapolis agency Olson for around a year and a half, working with brands such as Yoplait, University of Minnesota and Commerce Bank, followed by a short stint in the same position at Minneapolis independent agency Haberman. Before returning to Minneapolis, where she earlier served as n art director with Carmichael Lynch, she spent two years as a senior art director with RPA in Santa Monica, working with Honda and Acura. In addition to all the aforementioned brands, Shah has also worked with BMW, Porsche, Citibank, Kraft and Valspar over the course of her career.

Shah’s arrival follows the additions of Fegley last summer and group creative director Mark Andersen this past December. It was a busy summer for Colle+McVoy, which also saw the agency winning AOR duties for barbecue chain Famous Dave’s and welcoming senior strategist Maria Pazos

Los Angeles Hires Weber Shandwick for 2024 Olympic Bid as Trump's Shadow Looms


The Los Angeles 2024 Olympic and Paralympic Bid Committee has hired Weber Shandwick for global communications support, and despite the current tumultuous political landscape, the committee is confident the city will be judged on its merits.

Weber Shandwick was awarded the business following a competitive review that included “several global PR firms,” said LA 2024 Chief Communications Officer Jeff Millman, who added that the Interpublic Group shop has a “track record of success” when it comes to the Olympics. The agency has been working on Olympic bids and with host cities for more than 20 years, including Sochi 2014, Beijing 2022 and Tokyo 2020.

If Los Angeles, which is up against Paris, wins the bid for the 2024 games, it will be the first time in nearly 30 years that the Olympics are held in the U.S. A decision will be made by the International Olympic Committee in September. While President Donald Trump recently gave his support for the bid city, a number of former Olympians and analysts have reportedly voiced concerns that the administration’s policies, such as the immigration travel ban, will hurt Los Angeles’ chances of winning.

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Industry veteran and business leader Zak Thornborough announces the launch of his dual-coast production company BestFriend. Poised to set the foundation for lonExecutive Producer Zak Thornborough Offers Creative Camaraderie with the Launch of BestFriend

Industry veteran and business leader Zak Thornborough announces the launch of his dual-coast production company BestFriend. Poised to set the foundation for long-lasting creative camaraderie, BestFriend was founded to provide trust, loyalty and collaborative fun to agencies and other clientele in the way that only best friends can.

Throughout his 20-year career, Zak Thornborough has been instrumental in the production of countless high-profile campaigns at major production outfits such as Smuggler, RSA and Anonymous Content. Thornborough also helped to structure Digital Domain’s live action department, where he become well-acquainted with the expansive world of VFX & Animation. Thornborough’s experience producing live action and CG-driven content across various platforms led him to his most recent endeavor as Executive Producer of MPC Creative USA.

Not to leave his entrepreneurial spirit behind, Thornborough launched BestFriend to provide agencies and brands with a support system that allows everyone to take creative chances. Already Thornborough has appointed Head of Production Max Fink and assembled a small yet mighty roster, which includes the Icelandic directing duo the Snorri Brothers, whose creative output ranges from revolutionary music videos for the likes of R.E.M. to building the SnorriCam, a custom camera rig used by some of the top filmmakers of today.

The Snorri Brothers keep good company with emotionally charged Aussie director Jonathan Nyquist, whose eagle-eye for technical details has earned him international praise at Cannes and The One Show NY, not to mention a reel stuffed to the brim with award-winning TVCs and films. Also represented by BestFriend is Manuel Werner, a filmmaking phenom with a passion for visual art sparked from learning to shoot on a Super 8. Werner’s expansive oeuvre has earned him over two dozen awards from around the globe, including being shortlisted for the prestigious New Directors Showcase at Cannes.

With mandatory fun at the center of the BestFriend culture, the Snorri Brothers couldn’t be happier: “We had been hoping to find a brother on the production side for some time, someone we vibe with 100% and vice-versa. Then Zak found us! And we’ve been busy since the very first day we started working together. When looking at the big picture with BestFriend, everything feels right.”

BestFriend officially opens its doors with several projects already in the can, including multi-spot campaigns for Hyundai, John Hancock, and Buffalo Wild Wings. The conclusion of the mysterious Buffalo Wild Wings “What the Favre?” campaign, featuring NFL legend Brett Favre, was revealed on Super Bowl Sunday, the advertising industry’s biggest time slot of the year.

Adland: 

Watch Jon Stewart Barge in on Colbert's Desk to Counsel the Media Over Its 'Breakup' With Trump


Ad Age “Media Guy” columnist Simon Dumenco’s media roundup for the morning of Tuesday, Feb. 28:

You’re reading this on the last day of February (or later). You know what that means? You’ve somehow survived one-sixth of 2017. I don’t know how you did it! How we did it. Pat yourself on the back …

1. What the hell is going on?! And what the hell just happened?! In a post that currently sits atop newyorker.com’s “most popular” chart, Adam Gopnik has a theory: “Did the Oscars Just Prove That We Are Living in a Computer Simulation?” (Spoiler: Yeah, you’re probably a clueless extra in some version of “The Matrix.”)

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Cambodian Government Cites Trump in Threatening Foreign News Outlets

Critics said the warning could herald a new effort to suppress free speech by authoritarian governments emboldened by the U.S. president’s words.

Surgeons, News Anchors Are Hungry in BBDO New York’s Latest for Snickers

BBDO New York changed things up this year with its“Live Super Bowl Commercial” for Snickers and subsequent Adam Driver apology gone wrong follow-up, but two new spots return to somewhat more familiar territory while building off that effort.

Like Driver’s acting failures in that spot, the pair of new ads address other professionals messing up in a big way. In “Recovery” it’s a surgeon who appears to have dropped his cell phone in a patient during surgery — making the Seinfeld Junior Mint fiasco tame by comparison.

While not the freshest joke, the spot sees BBDO New York returning to what works for the brand, without the pretense of a supposedly live ad.

“The News” sees an anchor, correspondent and meteorologist unable to say anything coherent. At the conclusion of the spot, it’s revealed who is really sleeping on the job. While we weren’t crazy about BBDO New York’s Super Bowl effort the brand, the new direction it sparked of exploring epic mishaps in different professions certainly has potential. Perhaps a collaborative effort with PricewaterhouseCoopers?

Credits:
Client: Mars Chocolate North America
Spots: “Recovery Room,” “The News”

Agency: BBDO New York
David Lubars, Chief Creative Officer, BBDO Worldwide
Greg Hahn, Chief Creative Officer, BBDO New York
Gianfranco Arena, Executive Creative Director
Peter Kain, Executive Creative Director
Scott Mahoney, Creative Director
Dan Oliva, Creative Director
David Rolfe, EVP, Director of Integrated Production
Amy Wertheimer, SVP, Group Executive Producer
Alex Gianni, Executive Producer
Melissa Chester, Music Producer
Kirsten Flanik, President, BBDO New York
Susannah Keller, EVP, Global Account Director
Lisa Piliguian, SVP, Account Director
Tani Corbacho, Account Director
Aparna Joshi, Account Manager
Blake Maraoui, Account Manager
Danee Fields, Account Executive
Annemarie Norris, SVP, Group Planning Director
Sean Stogner, Senior Communications Planner

Berta De Pablos, VP, Marketing
Allison Miazga-Bedrick, Brand Director – Filled Bars Portfolio
Michael Italia, Sr. Brand Manager, Snicks Brand

Celebrity Talent Acquisition: Brad Sheehan, The Marketing Arm

O Positive: Production Company
David Shane, Director
Marc Grill, Executive Producer
Ralph Laucella, Executive Producer
Devon Clark, Head of Production
Jeff Cronenweth , DP
Maia Javan, Production Designer
MACKCUT: Editorial
Ian Mackenzie, Editor
Sabina-Elease Utley, Executive Producer
Mike Leuis, Assistant Editor
Sam Shaffer, Mixer / SFXs

Method Studios: VFX
Stuart Robinson, Managing Director
Brian Benson, Lead Flame Artist
Bennett Lieber, Senior Producer
Doug Luka, VFX Supervisor

Heard City: Recording Studio
Keith Reynaud, Mixer

Havas Chicago’s New CMO Lasted Less Than 2 Months

Last December, Havas publicized its decision to hire Laura Terry as its new chief marketing officer in Chicago. Less than two months later, she’s gone.

In an interview with Lewis Lazare last week, CEO Paul Marobella—who has been running the Chicago operation for two years—said that Terry has returned to her home in Minneapolis after spending less than two months in the role.

“It didn’t work out,” Marobella told Lazare, implying that “the reasons were mostly personal” without going into more detail. In the same piece, CCO and Instagram master Jason Peterson talked up the successes of The Annex, the millennial-focused unit first launched to serve the RJ Reynolds/Camel business more than two years ago. According to Peterson, Havas plans to open similar operations in “London and Paris and other markets where Havas has a presence.”

According to one party who reached out to us, Terry’s very brief tenure ended because she did not sync with the culture established by Peterson and Marobella.

News of Terry’s move to Havas first broke last November, when former employer Martin Williams of Minneapolis announced the promotion of Lori Yeager to president and said it would not be seeking a new CMO. In a subsequent interview with Lazare, she said she would be “looking at the agency to make sure we have the right people and processes in place.”

Today, a Havas spokesperson stated that the agency wishes Terry the best and that its Chicago office has begun searching for a new chief marketer.

Watch Jon Stewart Barge in on Colbert's Desk to Counsel the Media Over Its 'Break-up' With Trump


Ad Age “Media Guy” columnist Simon Dumenco’s media roundup for the morning of Tuesday, Feb. 28:

You’re reading this on the last day of February (or later). You know what that means? You’ve somehow survived one-sixth of 2017. I don’t know how you did it! How we it. Pat yourself on the back …

1. What the hell is going on?! And what the hell just happened?! In a post that currently sits atop newyorker.com’s “most popular” chart, Adam Gopnik has a theory: “Did the Oscars Just Prove That We Are Living in a Computer Simulation?” (Spoiler: Yeah, you’re probably a clueless extra in some version of “The Matrix.”)

Continue reading at AdAge.com

Stephen Colbert Replaces Truth With Trump in Spoof of The New York Times’ Oscars Ad

Droga5’s ad for The New York Times that aired on theAcademy Awards is making waves–even the 45th president of the United States noticed it–so of course the late-night comedians have to use it as material. Enter Stephen Colbert’s The Late Show on CBS. Using the exact style of “The Truth Is Hard,” Colbert’s 30-second parody…

Droga5’s New Uniqlo Ads are a Delicious, Diverse Romp Down Advertising’s Memory Lane

Last year, for its LifeWear line, Japanese clothing brand Uniqlo launched its first-ever global ad campaign. Created by Droga5 New York, “Why Do We Get Dressed?” was an elegant meditation on that very question. This year, Droga5 London hopes to answer it more concretely. The latest articulation of this campaign, “Because of Life, We Made…

Bulleit: Frontier Works – 32-foot tattoo

Bulleit: Frontier Works - 32-foot tattoo
Bulleit: Frontier Works - 32-foot tattoo
Bulleit: Frontier Works - 32-foot tattoo
Bulleit: Frontier Works - 32-foot tattoo
Bulleit: Frontier Works - 32-foot tattoo
Bulleit: Frontier Works - 32-foot tattoo

Bulleit partnered with 24 local tattoo artists to create the first ever 32-foot tattoo and installed it on the corner of Sunset and Hyperion in Los Angeles. Diageo’s Bulleit is one of America’s hottest whiskey brands. In the next evolution of the Bulleit story, they’re taking this notion of partnerships to an even more ambitious place with The Bulleit Frontier Works Series. This series of creative projects aims to support and celebrate creative people living and working on the modern cultural frontier. While the tattoo depicts the Bulleit label, each artist was assigned an individual section of the label to showcase his or her own tattoo art. In the end, each tattoo artist’s distinct styles lives side by side, making this not just a piece of Bulleit branding, but also a reflection of the diverse LA tattoo culture.

A Pause to Remember Franca Sozzani, Italian Vogue Editor

Many of fashion’s biggest names gathered in the Duomo in Milan for a memorial Mass to honor the respected journalist.

Tuesday Morning Stir

-BBDO teamed up with Sports Illustrated and editing company PS260 for this DirecTV spot starring Chrissy Teigen (video above).

-Samsung’s Lee Jae-yong will be indicted on bribery charges.

-FCB West freelance creative director Kelly Niland has a whole shop of anti-Trump swag to sell you.

-OMD promoted Joanna Lawrence to chief content officer for the EMEA region

-Passion-brand partner Helen Edwards has some ideas for improving the retained agency model.

-A study by IPG’s UM suggests social media is becoming less “fun” and brands need to return to the basics.

Adweek’s podcast tackles the best and worst of Oscar advertising.

The Ad Council Turns to Jack Morton Worldwide for Social Media, Content and Community Management

Jack Morton Worldwide won an assignment from the Ad Council to work on social media, content and community management for “Love Has No Labels,” the bias and diversity PSA campaign it launched with R/GA in 2015, following a formal review.

“We’re happy to be supporting the Ad Council and encouraging people to rethink bias across race, gender [and other areas],” Jack Morton vice president, senior account director Alicia Durfree told AgencySpy. “We’ll be working with them on furthering social media strategy and providing great content.”

Durfree added that the team at Jack Morton were already fans of the “Love Has No Labels” campaign, which she called “a great fit from both a personal and agency standpoint.”

“The whole team is proud to support it and feels passionate about the cause,” she said, adding that it coincides with IPG’s own diversity initiatives.

Presently, Jack Morton will be focused on supporting distribution for the “Fans of Love” effort R/GA and the Ad Council rolled out for Valentine’s Day. The agency currently has “Fans of Love” content planned through March and will gauge further efforts based on audience reaction. Following the conclusion of the “Fans of Love” effort, the assignment will be more open ended, with Jack Morton collaborating with the Ad Council and R/GA on social media strategy and content, as well as community management.

Smartphone Quick Charge Cubes – This iPhone Charge USB Cable Optimizes Charging Capabilities (GALLERY)

(TrendHunter.com) This iPhone charging USB cable offers users the ability to charge their smartphone in a fraction of the time it usually takes in order to increase productivity and keep the need for charging curt….

Com aeromodelo, Mocidade simula um tapete voador durante desfile de Carnaval

Escola de samba usou a tecnologia com criatividade na Sapucaí

> LEIA MAIS: Com aeromodelo, Mocidade simula um tapete voador durante desfile de Carnaval

Future Festival in Inc. Magazine – Future Festival is One of the Top Conference Picks for 2017

(TrendHunter.com) With 2017 in full swing, many of the world’s top innovators are on the lookout for conferences and events that will help them sharpen their skills and prepare for the year ahead. To help busy…

Playful Candle Branding – The WIFF Candle Brand Was Created to Offer Diversity in This Market (GALLERY)

(TrendHunter.com) The United Kingdom-based candle brand WIFF was created after its founders realized that the candle and diffuser products on the market tend to lack creativity and boldness in their formulations and…

Diets Will Be Personalized, and Six More Takeaways From the Consumer Analysts Group of New York Conference


What’s top of mind for marketers and investors right now? Judging by last week’s Consumer Analysts Group of New York meeting last week in Boca Raton, Fla., it’s the specter of acquisition, the need for cost cutting — oh, and Satanism and a glue shortage. Here we present seven takeaways from the conference, in which 28 consumer packaged-goods companies laid out a road map for the year ahead to analysts.

Price cuts ahead

For those who are into signs, Edgewell Personal Care, maker of Schick and private-label blades for such retailers such as Walmart, saw its stock plunge exactly 6.66% –the supposed mark of the devil — on Feb. 23 after P&G Chief Financial Officer Jon Moeller announced at the conference that Gillette will cut razor blade prices a whopping 12% on average starting March 30. The devil is in the details, of course, and P&G provided few. A spokesman said all Gillette blades, even high-end Fusion ProShield, could see some reduction. Mr. Moeller said prices on some blades could fall as much as 20%. An Edgewell spokesman noted that P&G already had been cutting blade prices, though Nielsen data from Deutsche Bank show only by 1% for the 12 weeks ended Jan. 28. The move aims to reverse share gains by cheaper blades that include Edgewell’s private labels, Harry’s (which moved into Target last year) and Unilever’s Dollar Shave Club.

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