Toyota Japan Tells the Same Story Twice in This Really Lovely Father's Day Ad

Toyota is celebrating Father’s Day with a sweet ad about a dad and his daughter’s relationship through the years—told from both perspectives.

The three-and-a-half minute montage first tells the story from the father’s point of view, starting when his girl is just a newborn. As she grows up, he graduates from a small hatchback to a minivan, and he eventually slaps a “Baby on board” sticker on her own car (for his grandkid).

The real fun, though, comes in the second half of the commercial, which follows the same story but told from the daughter’s perspective, throwing in even more cute tidbits—like the moment, as a teen, when she tosses the giant pink mittens she’s outgrown but Dad is still foisting upon her.

Father-daughter car stories are nothing new—Subaru famously excels at them. General throwbacks to growing up while riding around in a particular make are familiar, too, as are series on an automaker’s evolving models.

But Toyota’s approach here blends a number of popular themes into a powerful sequence that, save for some not-entirely-convincing aging, is well-produced. The split story is also an effective hook—once you’ve seen the father’s side, curiosity about the daughter’s take on the same events helps carry it through to the end.

Eventually, the ad does deliver its own hard sales pitch—a Toyota collision alarm system saves all three generations from rear-ending the car in front of them. The subtitled English translation of the tagline—”Love works invisible. Toyota works love”—doesn’t really do it justice. The rough spirit of the Japanese is something closer to “Love invisibly watches over you. We use the same eye in our cars.”

That’s not a bad way to tie the whole piece together, even if it’s safe to say that when all is said and done, Toyota loves your money more than it loves you.



5 Elements Aluminium Light Installations for Harcourt

L’artiste français Bardula a reçu carte blanche pour penser un projet de 5 installations autour du thème de l’explosion et du Verre Harcourt, exposées à l’Hôtel Baccarat à New York. Ces sculptures sont faites en aluminium brossé et forment un ensemble géométrique jouant avec les ombres, la lumière et la notion des 5 éléments : le feu, l’eau, l’air, la terre et la quintessence.

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42 Coffee-Making Appliances – From Self-Brewing Coffee Mugs to Sludge-Free Coffee Steepers (TOPLIST)

(TrendHunter.com) These coffee-making appliances are perfect for the ardent connoisseur who prefers to have complete control over their brew rather than entrust it to some barista at their local big-chain coffee shop…

Braincast 153 – O Futuro da TV: Maratona ou Serializac?a?o?

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Um debate sobre as diferenças mercadológicas e filosofais entre os dois modelos de distribuição de conteúdo

> LEIA MAIS: Braincast 153 – O Futuro da TV: Maratona ou Serializac?a?o?

Brainstorm9Post originalmente publicado no B9
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Você já abraçou alguém hoje?

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Campanha do amaciante Fairy nos lembra o quanto é importante abraçar a quem se ama

> LEIA MAIS: Você já abraçou alguém hoje?

Brainstorm9Post originalmente publicado no B9
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Samsung North America Appoints Marc Mathieu, Jesse Coulter to Key Marketing Posts


Samsung North America has named Marc Mathieu, former number two marketer at Unilever, as its new U.S. chief marketing officer and former CAA Marketing co-CCO Jesse Coulter as U.S. chief creative officer, a newly created position.

Their appointments mark the opening of the brand’s new Global Marketing Center of Excellence, to be based in New York.

Mr. Mathieu had been in talks with the brand about a marketing post for a few months, and Ad Age confirmed earlier this month that he had joined the company. He will be overseeing all marketing for the company’s lines of business, spanning telecommunications, home entertainment and home appliances. He will also oversee the Global Marketing Center of Excellence, which will be an incubator for marketing innovation and the headquarters of Samsung’s U.S. creative, digital, content services and brand marketing teams.

Continue reading at AdAge.com

Co-ECDs Left Johannes Leonardo

Today in Things We Missed, the two ECDs behind Johannes Leonardo’s recent work for Playstation, adidas and other clients left the agency to return to their native Australia.

This isn’t “news” because it ran in Australian media way back in April when the pair announced plans to take partner positions with Sydney’s Cummins&Partners. But it is relevant as Johannes Leonardo gets more press and prepares to make headlining hires.

The two, who seem to come as a package deal, spoke to Campaign Live last month to explain why they left. First, they say that “we had a very similar creative approach as the [Johannes Leonardo] founders Jan Jacobs and Leo Premutico,” which lead them to move from Australia a year and a half ago.

Why did they leave JL? Martin says, “we would’ve loved another year or two living and working in NY” but the partnership offer was simply too good to pass on. He adds, “we found if you surround yourself with amazing people and have a distinct creative voice you can succeed anywhere.”

We do hear that Johannes Leonardo is very close to making an executive hiring announcement, and we assume that it involves whoever will replace recently departed CEO Mike Duda.

In the absence of these ECDs, the agency will also need to expand its creative department. Updates to come.

Isla Fisher Stars VCCP Sydney’s New Spot for ING Direct

Australian actress Isla Fisher plays a reluctant celebrity spokeswoman in VCCP Sydney’s new spot for ING Direct, entitled “Monloluge.” She nervously talks herself through the role, which only contains one line, “ING Direct, how banking can be.”

“How am I going to make that sound real?” she asks herself, walking onto the set. She goes on to complain about the tightness of her dress and work in quick jabs at fellow Australian actors Hugh Jackman and Russell Crowe before the camera rolls…at which point things go awry. The spot is the latest ad to feature a reluctant spokesperson, a trope popularized with Droga5’s “If We Made It” spot starring Anna Kendrick and perfected by Ricky Gervais in M&C Saatchi’s campaign introducing Australia to Neflix for Optus. As far as the style goes, Isla’s “Monologue” falls somewhere in the middle of the pack, a good deal more entertaining than Neil Patrick Harris in W+K’s New York’s recent work for Heineken Light, but the joke is starting to get a bit stale.

Cracked Log Lamps

Le designer Duncan Meerding, basé en Tasmanie, a choisi d’utiliser des rondins de bois craquelé pour créer de superbes lampes et ainsi souligner la beauté de la Nature. Chaque fente de la pièce de bois est illuminée à l’action de la lumière jaune. Une création qui redonne une seconde vie à ces éléments naturels.

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GENER8ION & M.I.A – The New International Sound Pt2

Pour le clip de leur titre « The New International Sound Pt2?, GENER8ION et M.I.A ont opté pour une mise en scène bien particulière mais très efficace. En effet ils ont choisi d’emprunter des séquences tirées du documentaire « Dragon Girls », réalisé par Inigo Westmeier, qui nous emmène au sein de la plus grande école de lutte pour enfants en Chine. Les images et la musique s’accordent à la perfection.

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Instituto Maria da Penha: Annotation Excuses

Advertising Agency: Africa, Brazil
Chief Creative Officer: Sergio Gordilho
Executive Creative Directors: Eco Moliterno, Rafael Pitanguy
Creative Directors: Eco Moliterno, Alexandre Prado, Sergio Gordilho, Rafael Pitanguy
Associate Creative Directors: Bernardo Romero, Beto Rogoski
Copywriter: Andre Pinheiro
Art Directors: Fernando Drudi, Alvin Shiguefuzi
Digital Producer: Guilherme Oliveira
TV Producers: Rodrigo Ferrari, Stella Gafo, Thais Bonizzi
Director of Institutional Relations: Rosi Ferreira
Client Services: Juliana Carvalho Araujo, Carolina Gatti

PlayStation Vue: Wouldn't You

Advertising Agency: Johannes Leonardo, USA
Chief Creative Officers: Jan Jacobs, Leo Premutico
Executive Creative Directors: Tom Martin, Julian Schreiber
Art Directors: Verenice Lopez, Jerome Marucci
Copywriters: Devin McGillivary, Steven McElligot
Head of Production: Cedric Gairard
Executive Producer: Sevda Cemo
Producer: Tina Diep
Associate Producer: Dustin Grant
General Manager: John McCarthy
Account Director: Marc Gellman
Account Supervisor: Adam Rubin
Planning Director: Jennifer Colman
Associate Strategist: David Ceng
Production Company: MJZ
Director: Fredrik Bond
Executive producer: Kate Leahy
Line Producer: Alicia Richards
DOP: Crille Forsberg
1st Assistant Director: Mark Taylor
Production Designer: Petr Kunc
Post Production Company: The Mill
Executive Producer: Enca Kaul
Producer VFX: Will Lemmon
Producer Color: Antonio Hardy
Shoot Supervisors: David Lawson, Becky Porter
Creative Director: David Lawson
2D Lead Artist: Becky Porter
3D Lead Artist: David Lawson
2D Artists: Andy Dill, Daniel Lang, Anthony Petitti, Narbeh Maridossian, Patrick Munoz, Tara DeMarco, Steve Cokonis, Tim Robbins
3D Artists: Phil Mayer, Majid Esmaeili, Steven Olson, Matt Longwell, Martin Rivera, Mike Di Nocco, Aldrich Torres, Monique Espinoza, Itai Muller
Matte Painting: Andy Wheater
Motion Graphics: Justin Demetrician, Greg Park, Andrew Marks
Colourist: Adam Scott
Art Department Coordinator: Daniel Midgley
Production Company in Prague: Unit & Sofa
Executive Producer: Fady Saleme
Line Producer: Nikola Mohorita
Radio Production Company: Sonic Union
Founder/Engineer: Stephen Rosen
Executive Producer: Justine Cortale
Producer: Melissa Tanzer
Casting Director: Maria Pappalardo
Editing House: Union Editorial
Executive Producer: Caryn MacLean
Senior Producer: Susan Motamed
Editor: Patrick Ryan
Assistant Editor: Andrew Droga
Cutting Assistant: Melissa Geczy
Music House: Q Department
Composer: Drazen Bosnjak
Producer: Zack Rice
Assistant Producer: Guin Frehling
Mixer: Steve Rosen

Caterpillar: Built for it trials – Driving range

Advertising Agency: Ogilvy, New York, USA
Creatives: Chris Curry, Jerry Dugan, Todd Goodale, David Marino, Emily Clark, Gavin Breyer
Chief Creative Officers: Steve Simpson, Chris Garbutt
Account: Kurt Lundberg, Kate Prescott, Bret Emerson
Planning: Bryan Smith, Liz Sparkman
Chief Production Officer: Matt Bonin
Producer: Damon Webster
Executive Producer / Creative Director: J. Archie Lyons
Director: Brandon LaGanke / Eyepatch Production
Executive Producer: Joanne Golden
Line Producer: Daniel Lubell
DP: Paul McCarthy
EyePatch Executive Producer: Jay Cagide
Post Producer: Laura Shackelford
Editor: George Gross
Sound Engineer: Ken Meyer
Music Supervisor: Chris Mazur
Color/On-Line: Method/Co3
Assistant Editors: Wes Latta, Andrea Podaski

Glorix: Blood Portraits

Advertising Agency: BBDO, Russia

Dove Men+Care: Fatherhood

Advertising Agency: Havas Helia, London, UK
Senior Account Director: Michelle Hartmann
Senior Team Manager: Charlotte Lewis
Creative Director: Aaron Howard
Editor: Iain Welland 
Head of Digital Content Strategy: Lee Thomas
Creative Content Strategist: Stuart Howell
Senior Art Director: Libby Clay
Senior Copywriter: Rachel Heathfield
Planner: Helen Spencer
Apprentice Art Director: Bethany Wells
Apprentice Copywriter: Verena Camesasca
Social Creative Strategist: Ed Hardy

ALDI: Greek

Advertising Agency: BMF, Australia
Executive Creative Director: Cam Blackley
Art Director: Dantie Van Der Merwe
Copywriter: David Fraser
Planning: Ali Tilling
Managing Director: Steve McArdle
Group Account Director: Jonny Bucknall
Account Director: Aisling Salmaggi
Account Manager: Hayley Basham
Agency Producer: Jenny Lee-Archer
Director: Jeff Low
Producer: Alex Hay
Production Company: Rabbit Content
Post production: Method & White Chocolate
Music & Sound: Rumble
DoP: Pete Eastgate

UNCP: The first post in Braille

Advertising Agency: McCann, Lima, Peru
Chief Creative Directors: Mauricio Fernández – Maldonado, Nicolás Romanó
Copywriter: Frank Martí
Art Director: Christian Silva
Integration Digital Director: Miguel Bulnes
Social Media Executives: Jhonatan de la Cruz, Mónica Campos
Case Video: 7 Samurai, Animal FX
Audio: Sonica

How FitBit Can Avoid Becoming the Next BlackBerry


FitBit’s fitness trackers face threats on all sides — from Apple competition to patent-infringement lawsuits.

That sounds a lot like the travails of another device maker — BlackBerry — almost a decade ago. Like FitBit, BlackBerry was the established market leader with a ubiquitous gadget and a lower-priced alternative to Apple’s shiny new iPhone. It offers FitBit a lesson: Use the capital from an upcoming initial public offering to fund research into innovative technology.

“BlackBerry’s failure was the fact that they weren’t able to meet the expectations that consumers were looking for and keep up with the times,” said Angelo Zino, a New York-based equity analyst at S&P Capital IQ. “FitBit has to find a way to defend the position they’ve built here.”

Continue reading at AdAge.com

Serial Heads to Cannes in Search of Brand Partners


Serial, the massively successful podcast, is heading to the Cannes Lions International Festival of Creativity in hopes of exploring new relationships with like-minded marketers.

In its first season, the podcast investigated the 1999 murder of a Baltimore high school student, and won a cult following. It has been downloaded more than 86 million times and was the first podcast to win a Peabody Award. Now, as Serial preps for the highly anticipated season two — and the seasons it expects to follow — it is open for business.

The podcast is from the creators of This American Life and is a production of WBEZ Chicago. For that reason, many might assume it is bound by the same restrictions that govern public radio, but that’s not the case. Serial depends on advertising — not underwriting, as public radio does — and listener donations.

Continue reading at AdAge.com

Headed to Cannes? Here's Your Handy Beach Map

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In case you don’t feel like attending sessions at Cannes like a good delegate and would rather spend your days on the beach soaking up the sun and stealing glances at those young, up-and-coming creatives who are more than happy to frolic on the beach as if it were Spring Break, Italian agency, Aylene Gardider has you covered.

Just as they did last year, the agency is out with a map of the beaches in Cannes so you can be sure you’re meeting up in the right spot. Feel free to download the full sized version below.

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