Smartphones Troll Their Owners in Clever Ads About Learning and Attention Issues

Parents grow increasingly frustrated as Siri-type phone assistants misunderstand their requests in a pair of 60-second Advertising Council PSAs from Publicis Kaplan Thaler.

The goal is to build empathy for kids with learning and attention disorders—watch the ads to see how—and to introduce Understood.org, a cooperative effort among several nonprofits providing access to support and resources. A print ad reinforces the theme, showing a notebook page with a child’s writing that’s been erased many times, while the words “I want to be understood” remain.

“Put yourself in children’s shoes, and you can truly understand their frustration,” says agency creative director Laura Kirschner, whose young son struggles with such issues. It’s a sharp approach, skipping familiar images of kids struggling to read or comprehend their schoolwork in favor of a deeper narrative about the importance of communication and connection.

“The crux of the campaign is that understanding is everything,” Kirschner says.

That message comes through loud and clear.



British Coast Guard: Every Second Counts

Advertising Agency: AMV BBDO, UK

Avengers: Trailer

Sony 4K Ultra HD: Ice bubbles

Advertising Agency: Adam&eveDDB, London, UK

Lumo Lift: Proper posture, 1

Lumo Lift tracks posture in real time and gently vibrates when you need to straighten up. It’s fashionable, easy to wear, tracks steps, calories & more.

Advertising School: Miami Ad School, San Francisco, USA
Art Director: Vincent Mak
Copywriter: Adam Lisabeth

Lumo Lift: Proper posture, 2

Lumo Lift tracks posture in real time and gently vibrates when you need to straighten up. It’s fashionable, easy to wear, tracks steps, calories & more.

Advertising School: Miami Ad School, San Francisco, USA
Art Director: Vincent Mak
Copywriter: Adam Lisabeth

Lumo Lift: Proper posture, 3

Lumo Lift tracks posture in real time and gently vibrates when you need to straighten up. It’s fashionable, easy to wear, tracks steps, calories & more.

Advertising School: Miami Ad School, San Francisco, USA
Art Director: Vincent Mak
Copywriter: Adam Lisabeth

Forget 'Big Data.' Beware 'Little Data' — and the Horrors of TMI


How much data is too much data?

I’m pretty sure I knew the answer — you’ll know when your head starts swimming — back when I studied statistics in high school, but now I’m not so sure anymore. Because now my head always feels like it’s swimming in data; that’s my brain’s default state.

And beyond your phone, much of your other stuff is spitting out data — and telling on you — too. (The Internet of Things is only just beginning.) Consider what Dirk Wollschlger, general manager of IBM’s global automotive operations, recently told John R. Quain of The New York Times: “Cars are generating a huge amount of data, some billion gigabytes of data every year.”

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Glass Wave Sculptures by Ben Young

Nous vous avions récemment parler de Ben Young, cet artiste réalisant des incroyables sculpture en verre transparent. Le sculpteur néo-zélandais continue sur sa lancée et n’a apparemment pas fini de développer son oeuvre toujours aussi surprenante.

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Glass Wave Sculptures by Ben Young_8
Glass Wave Sculptures by Ben Young_7
Glass Wave Sculptures by Ben Young_6
Glass Wave Sculptures by Ben Young_5
Glass Wave Sculptures by Ben Young_4
Glass Wave Sculptures by Ben Young_3
Glass Wave Sculptures by Ben Young_2
Glass Wave Sculptures by Ben Young_1
Glass Wave Sculptures by Ben Young_0

This Shampoo Ad Is Lovely and All, but Can It Really Stop Couples From Getting Divorced?

If you’re looking for a “no more tears” kind of shampoo commercial, I’d skip this nearly five-minute Chinese ad for Procter & Gamble’s Rejoice from Leo Burnett Hong Kong. It’s all about making viewers cry over true love … and silky, shiny hair!

Filmed in lush black and white by director David Tsui, the spot—a sensation in Asia, with this version reportedly being viewed more than 40 million times in the past month—tells the story of a young couple on the brink of divorce. The wife agrees to separate on one condition—that she and her husband share one hug a day for a month.

The first hug takes place at a rooftop lounge, high above the city, where he proposed; the second on a windswept pier where he professed his love; the third at a secluded spot where they first kissed.

We’re about four hankies in by this point. Will they get back together? C’mon, dude. Thanks to Rejoice, she’s got smooth, luminous hair, so stop being such a jerk!

In the end, the commercial notes that 3 million couples divorced in China last year (official statistics put the number around 3.5 million, an almost 13 percent increase over 2012), while there were about 100,000 reconciliations. The spot is part of the brand’s “Smooth Heart Touching Moments” campaign, supported by the #IBelieveInLoveAgain hashtag.

Can a shampoo ad boost those reconciliation numbers? Terence Lam, P&G’s haircare marketing manager for Greater China, says: “We believe that no matter how complicated relationships can be, there’s always a way to smooth things up. As a brand devoted to smoothness and love, this is a position worth taking, having a strong point of view on this cultural phenomenon.”

On the one hand, the commercial is poignant and well made. Though manipulative in the extreme, it packs more emotional punch than your typical American romantic date film, and it has clearly made an impact for the brand. That said, there’s something about equating haircare products with love and relationships—let alone divorce—that doesn’t sit right. It feels regressive, and perhaps even talks down to its audience. (The brand has been supportive of Chinese women, though, working with a local organization to help them start businesses.)

What bugs me most is the way the guy soulfully strokes his wife’s hair with each hug. OK, this is, ultimately, a hair products commercial, and at first it seems natural. But it grows distracting and creepy. He seems to have some kind of follicle fixation. Maybe she’d be better off washing him out of her hair after all.



The Latest Crazy Vending Machine Has a Piano on the Side, and Gives You Free Drinks for Playing It

There’s a grand tradition of marketers building fancy vending machines, but it’s not every day you see one that doubles as a piano.

For the Alfa Jazz Fest in L’viv, Ukraine, this past June, mineral water brand Borjomi and its agency, Banda, set up a publicity stunt inviting passersby to play a sideways keyboard in exchange for free product.

The new video below shows some people eking out melodies and others banging out full-blown performances while crowds gather and cheer. It has some of the dubious over-enthusiasm of heavily edited case study videos—people get really, really excited, and jump up and down—despite (or maybe because of) how awkward it must have been to hit the right notes while craning over.

Then again, a piano-playing machine made of razors is probably still weirder.



Undocumented: The Architecture of Migrant Detention

69k

The publication details the banality and violence of the architecture of detention centres and contrasts them with stories of daily resistance among immigration detainees. This book explores migrant detention centres, a global industry and the fastest growing incarceration sector in North America’s prison industrial complex, and questions the role of architectural design in the control and management of migrants in such spaces continue

Watch Jim Carrey Parody Matthew McConaughey's Lincoln Ads


Jim Carrey hosted “Saturday Night Live” over the weekend and also appeared in three deadpan commercial spoofs (gathered together into the video embedded below) that were sprinkled throughout the show. In each of them, Carrey does his best Matthew McConaughey — specifically, the philosopher-king/road-warrior version of McConaughey who appears in the latest Lincoln campaign. The best of the three might just be the last; it’s an Allstate-meets-Lincoln mash-up with a cameo appearance by Kenan Thompson.

Simon Dumenco is the “Media Guy” columnist for Advertising Age. You can follow him on Twitter @simondumenco.

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Apple Pay Runs Into Roadblock


Apple’s mobile payment technology ran into a roadblock a week after its introduction as CVS and Rite Aid, part of a consortium developing a competing system, disabled Apple Pay in their drugstores.

CVS and Rite Aid are among 220,000 U.S. merchants that already have technology in place to read the short-range wireless signals that enable customers of Apple Pay or similar services to make a purchase by waving their smartphones. The retailers weren’t among those specifically named as accepting Apple Pay when the iPhone maker revealed its system last month.

The drug retailers stopped Apple Pay last week, said a person familiar with the situation who asked not to be named. CVS has about 7,700 retail pharmacies and Rite Aid has about 4,570.

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Orville: Pop & Play

Advertising Agency: Blammo, Canada
Chief Creative Officer: Michael Murray
Creatives: Claire DeMarco, Jordan Heidenhahl
Account Director: Nicole Brown

Gillette Mach3 FC Barcelona: Precision

Advertising Agency: Grey Brasil, Brazil
Creative Directors: Daniel Perez, Federico Russi
Art Directors: Lucas Heck, Eduardo Nose, Pedro Rocha
Copywriter: Federico Russi
Account Team: Renato Fischer, Gabriella Fabbro, Fernanda Gomes, Dion Chagas
Planning: Sumara Osorio, Leonardo Sassini
Media: Davi Monteiro, Fabíola Sidorenko, Marilia Rosati
Digital Integration: Marcia Esteves, Fernanda Pancini
RTV: Natacha Veiga, Renata Ruas
Production: Your Mama Films
Director: Rafael Quinto
Director of Photography: Diego Robaldo
Executive Production: Mayra Auad, Carlos Guedes
Account: Raquel Buzzoleti, Manoella Coelho da Fonseca
Post Production: PixPost/YourMama
Sound Producer: A9
Producer: Equipe A9
Account: Guta Lima, Renata Rodriguez

Sol: The exit

Advertising Agency: BBH, USA
Executive Creative Director: Nick Gill
Copywriter: Jon Kallus
Art Director: Ashidiq Ghazali
Agency Producer: James Laughton
Business Lead: Brenda Frixa
Team Director: Patrick Farrall
Production Company: Rattling Stick
Director: David Edwards
Producer: Chris Harrison
Production Manager: Patrick Bailey
DOP: Jaime Feliu-Torres
Stylist: Jerry Bland
Editor: Neil Smith / Work Post
Post Production: MPC

STORY and Accomplic Media Appoint Melissa Thornley to Lead Midwest Sales

CHICAGO—Commercial production company STORY, headquartered in Chicago, and its sister company, Accomplice Media, based in Santa Monica, Calif. have announced the appointment of Melissa Thornley to a new position as head of new business development for the Midwest markets. Thornley will market both companies’ diverse roster of commercial directors and creative talents to advertising and clients in Midwest markets.

Adland: 

Crispin Porter & Bogusky wins global Infiniti pitch

Infiniti, the high-end car brand that is part of Nissan, has hired Crispin Porter & Bogusky as its global creative agency.

CP&B Expands Into China With Infiniti Win


MDC’s CP&B is expanding into China as the the shop takes on the sizeable Infiniti account.

Infiniti, owned by Nissan, confirmed Monday that it tapped CP&B to handle global creative work for the brand after rumblings of a review began nearly a year ago, though executives familiar with the business had already said that CP&B was set to be named. Work had long been handled by Omnicom’s TBWA.

CP&B is opening an office in Shanghai, a growing hub for the agency world that already has a presence from many of the global agency networks including Omnicom’s DDB and TBWA, Publicis Groupe’s Leo Burnett, Interpublic’s McCann, as well as major media agencies and holding company agencies with a smaller footprints including WPP’s AKQA and MDC’s Anomaly.

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